备注:已完结
类型:剧情片
主演:米拉·乔沃维奇 斯蒂芬·多尔夫 安迪·麦克道威尔 安格斯·麦克菲戴恩
语言:英语
年代:未知
简介:这是在纽约黑街地下社会所发生的一个情欲、黑暗的故事。一对亡命鸳鸯因女方不堪长期被施暴,设计了一个天衣无缝的美人计加以报复。施暴的男方终因谋杀罪名被捕。然而,执行谋杀任务的,却另有其人… 大艾尔(安格斯麦克菲恩饰演)一生面对多少凶恶的敌手,却抵不过他的枕边人:凯特(米拉乔沃维奇饰演)。本片中的大艾尔和凯特是一对亡命鸳鸯。他们用力的爱、用力狂欢,他们吵架时——这是常有的,你最好找掩护! 凯特是个让人销魂的女孩,任何人一见到她,立刻被她迷住。她知道怎么利用这个优势以获取利益。凯特爱大艾尔,也爱枪、爱勾引男人和女人,但她最爱的是危险……
备注:已完结
类型:剧情片
主演:Luna Arzoni Nicolas Bachmann Egon B
导演:Lisa Blatter Jan Gassmann Gregor Frei Benny Jaberg Carmen Jaquier Michael Krummenacher Jonas Meier Tobias Nölle Lionel Rupp Mike Scheiwiller
语言:其它
年代:未知
简介:Ten directors of a new generation of filmmakers tell how differently people in Switzerland cope with the worst imaginable disaster; the fact of being dependent on other countries.
备注:已完结
类型:剧情片
主演:Caroline Dhavernas Amy Sloan Vlasta
语言:英语
年代:未知
简介:该影片基于Marilyn Bell(Caroline Dhavernas饰演)的真实故事改编。Marilyn Bell当时16岁,是一名游泳健将,她正尝试成为第一个游泳横渡安大略湖的人。但当时美国还有位顶级游泳选手Florence Chadwick,与她一同在这场特殊的游泳马拉松中竞争第一。因为Florence Chadwick身经百战,所以大部分人都认为她会获取最终的胜利。但出乎意料的是,由于Florence Chadwick对途中艰险程度的轻视,导致了她退出了比赛,而Marilyn Bell坚持到了最后,最终成为了横渡安大略湖第一人。
备注:已完结
类型:剧情片
语言:其它
年代:未知
简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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